Avengers: Age of Ultron (2015)
★★ / ★★★★
The problem with “Avengers: Age of Ultron,” directed by Joss Whedon, is that it does not attempt to do anything particularly special. It drifts lazily from one action scene to another—sandwiched by so-called character development with lines of dialogue so television-like that at times I wondered if I was watching a first cut of the film rather than a final one—and not one is so well-choreographed that the sequence is etched in our brains well after the movie is over. Clearly, it is a sequel not worthy of the original.
Successfully acquiring Loki’s scepter, risk-taking Tony Stark/Iron Man (Robert Downey Jr.) and a more reluctant Bruce Banner/Hulk (Mark Ruffalo) decide to use the scepter’s gem to complete a defense program called Ultron that can potentially protect the entire planet from otherworldly invaders. But the unknown technology proves highly dangerous when Ultron (voiced by James Spader) becomes sentient. Its goal: To achieve world peace by destroying mankind.
Ultron is a most underwhelming villain. Although the visual effects that make the artificial intelligence appear sinister are quite a marvel, there is nothing complex about the antagonist aside from the contradiction of his endgame. As a sentient machine, he does not accomplish anything big or terrifying either; it all feels small in scope—too small for the bar that the predecessor had set up. For instance, in the beginning there is talk about the rogue AI possibly being capable of activating nuclear weapons on a whim and yet by the third act our heroes only deal with one bomb. It might have worked if the final battle commanded so much suspense and tension, we forget that Ultron has the capacity to cause more destruction. Instead, not once are the Avengers thrusted into any real, convincing danger. Thus, Ultron comes across as a forgettable villain-of-the-week.
The romantic connection between Black Widow (Scarlett Johansson) and the Hulk is a good idea but it is not executed in such a way that we want to invest deeply in what they share. These are two of the more interesting characters in the group—the former is in control but heavily scarred by her past and the latter finds himself fighting an every day fear of being out of control—but their exchanges are reduced to soppy, googly-eyed bore. Instead of communicating true humanity underneath their roles as mankind’s protectors, the dialogue sounds very scripted, lines that must be uttered for the camera.
However, the film is not without a sense humor which almost always works, whether it be our superheroes just hanging out in Stark’s multimillion-dollar loft or out there in the field where things go boom! The wit and the snark unique to each character are exercised with confidence. What I will remember from the movie are not the scenes where the Avengers engage in physical battle but the battle of words and looks they give one another once in a while because each of them, deep down, is convinced that he is that special flavor in the group. The script has a way of consistently making self-importance charming—which is difficult to do.
“Avengers: Age of Ultron” is a disappointment as an action film. Specifically, it fails to command imaginative or creative sequences that force us to undergo a rollercoaster of emotions. The emotions that we do experience are superficial, forgotten after two or three scenes. Lastly, perhaps the picture does not engage thoroughly because not one character comes across as expendable. Future writers and filmmakers of the franchise ought to keep in mind that there is excitement in danger while there is passivity in safety. It neglects to play with our expectations so the final product is not by any means compelling.
The Avengers (2012)
★★★★ / ★★★★
The Tesseract, a cube with the potential energy to destroy the planet, was obtained by the egomaniacal Loki (Tom Hiddleston) from S.H.I.E.L.D., Strategic Homeland Intervention, Enforcement, and Logistic Division, led by one-eyed Nick Fury (Samuel L. Jackson). Overpowered by Loki’s strength and otherworldly powers, Fury sought help from Iron Man (Robert Downey Jr.), Captain America (Chris Evans), The Hulk (Mark Ruffalo), and Black Widow (Scarlett Johansson), with Thor (Chris Hemsworth) and Hawkeye (Jeremy Renner) eventually joining the party. Based on the screenplay by Joss Whedon, comprehensive character development in “The Avengers” was simply out of the question because each superhero contained an interesting personality filled with quirks and unique sense of humor. The main question was how to keep the story interesting apart from massively entertaining explosions and jaw-dropping action sequences. I found that the film was similar to a great swimmer. Because of Whedon’s direction, the film knew how to pace itself so it didn’t drown in its own ambitions. When the movie kept its head underwater by delivering the intense and often breathtaking battle scenes, they were allowed to play out to our satisfaction without overstaying their welcome. For example, the duel between Iron Man and Thor was simply wonderful to watch. Out of the six, not only did the two of them have the biggest egos, they were my least favorite characters compared to the rest. (Personally, listening to Thor speak is as boring as reading about the history of differential equations hybridized with Shakespearean lingo.) Yet it didn’t matter because I was so involved in what was happening. Their brawl, and of those to come, was within the story’s context. Thor, prior to joining the group, wanted to convince his adopted brother against enslaving Earth while Iron Man worked for a cause and had to deliver Loki to the proper authorities. When the movie gasped for air, they were quick and memorable. The sense of humor stood out because the script played upon the elementary personalities of each hero or heroine. For instance, the material had fun with what the audience expect of Black Widow and her sex. The script was balanced in subverting the typicalities of women’s roles in superhero movies, given that they’re usually the romantic interest or object of desire, and remaining loyal to her character as a woman on a global and personal mission. Since she, along with Hawkeye, did not have a stand-alone movie, having not read the comics, I appreciated that her character was given a little bit more depth than her counterparts. While there were still unanswered questions about her history and the intricacies of what she hoped to gain by joining S.H.I.E.L.D., by the end, I felt like I knew her as well as the other guys. I felt like she had her own stamp in the dynamics of the group, that they wouldn’t be complete without her. Naturally, the film’s climax involved a lot of extirpation of expensive skyscrapers. But the main difference between the destruction seen here as opposed to, say, Michael Bay’s “Transformers,” was the action didn’t feel incomprehensible. Things blew up but the quick cuts weren’t injected with multiple shots of epinephrine. Each jump of perspective had something enjoyable to offer instead of relying on a false sense of excitement. In other words, the destruction was actively made interesting instead of allowing it on autopilot. “The Avengers” could have used more Pepper (Gwyneth Paltrow), less speeches between Loki and Thor, and an explanation on how The Hulk became more manageable toward the end. Nevertheless, such negatives are so small compared to the cyclopean roller coaster ride that the filmmakers had given us. When I was a kid, I played with a lot of action figures. Some even revolved around crazy narratives I made up, one of which involved a live caterpillar and beetle destroying Legos that stood for Gotham City. I must say, the sight of The Hulk tossing Loki around like a piece of spaghetti made me feel like a kid again.
★★ / ★★★★
Powerful ruler Odin (Anthony Hopkins) had two sons, Thor (Chris Hemsworth) and Loki (Tom Hiddleston), with two very different personalities. Thor couldn’t wait to be king of Asgard. Wielding absolute power, in a symbol of a throne, was at the top of his priorities. Loki, on the other hand, was the quiet one. His actions were preceded by thorough thinking. However, there was brewing jealousy from his end. When Thor and his friends (Ray Stevenson, Tadanobu Asano, Josh Dallas, Jaimie Alexander) had unwisely broken a truce and caused a new war against the Frost Giants, Odin banished Thor to Earth to learn about humility and what it meant to be a great leader. Directed by Kenneth Branagh, “Thor” was unexpectedly comedic. I actually enjoyed the comedy, especially when sarcastic Darcy (Kat Dennings) was on screen, more than the action scenes themselves. Watching the action sequences, although supported by grand special and visual effects, failed to get me to become emotionally invested. I believe it had something to do with the fact that Thor’s evolution from a bellicose warrior to a more controlled leader wasn’t fully convincing. What did being romantically involved have to do with becoming an effective king? From what I gathered, he simply grew weak in the knees whenever he was next to Jane Foster (Natalie Portman), a fellow researcher of Erik Selvig (Stellan Skarsgård), one of the three people Thor met when he landed on Earth. And given that love was the answer to everything, I failed to understand why she would be attracted to him other than the fact that he had a nice set of abs and biceps. She was supposedly smart but her intelligence was thrown out the window the moment he took off his shirt. It was insulting. The director didn’t take enough time, other than one or two short scenes, to explore the relationship between the two lovers. Jane was supposed to be our conduit so that we would ultimately care about about the title character. As for Thor’s friends in Asgard, I wondered how they could stand him. Surely being a prince wasn’t enough to earn their loyalties. After leading them to a suicide mission and narrowly escaping, none of them questioned Thor’s ability to make smart decisions. Didn’t they have minds of their own? Instead of weighing the complexities of the somewhat cheesy story, I found myself focusing more on spotting other Avengers characters like Hawkeye (Jeremy Renner) and references to the Jon Favreau’s “Iron Man.” What “Thor” lacked was the crucial journey designed to win us over. When he was on Earth, he didn’t learn what it meant to be human. He just developed a crush. It’s a bad sign when we find ourselves feeling nothing when Thor faced incredible danger.
Iron Man 2 (2010)
★★★ / ★★★★
Robert Downey Jr. reprises his role as Tony Stark/Iron Man who is as narcissistic and self-centered as ever. This time around, he had to face-off with a Russian physicist (Mickey Rourke) who was out for revenge for the wrongs done to his father and an American weapons expert (Sam Rockwell) who craved power in politics. Tony also has to deal with his health, Pepper (Gwyneth Paltrow) being the new CEO of the company, a new sexy assistant (Scarlett Johansson), and Rhodey’s (Don Cheadle) need to deliver the Iron Man suit to his superiors. There was no doubt that “Iron Man 2” was bigger and grander than the original. However, I don’t believe it was one of those sequels that disappointed. What I loved about the first one was the fact that it was an origins story. The first hour bathed us in curiosity and the rest tried to explore the lead character’s depth (although we came to realize he didn’t have much depth at all–which I loved). In “Iron Man 2,” it was more about having fun with the main character and his big ego. I thought it was funny, exciting and I liked that it didn’t try to be darker or deeper than the original. In some ways, I had more fun with the sequel than its predecessor. I was also very into what was happening on screen because of the many hints of The Avengers slowly forming (make sure to stay until after the credits). The tone was different than other superhero films because it made me feel like the superhero that we were watching was not the only one in his universe. I also enjoyed Rourke as Whiplash. He wasn’t given much screen time but every time he was, he generated maximum impact. I thought he was menacing but at the same time I felt somewhat sorry for him. When I looked in his eyes, I saw pain and vulnerability trying to wrestle (pun intended) with anger and thirst for blood. One of this film’s drawbacks was it didn’t spend more time putting Rourke’s character on screen to add some sort of enigma and rivalry between him and Tony Stark. I absolutely loved the race track scene and when Stark visited Whiplash in jail. There was a certain crackle and pop between the two characters when they spoke to each other because Downey Jr. and Rourke knew how to play with certain subtleties in terms of intonations and body languages. Those scenes left me at awe and it’s unfortunate because small moments like the jail scene would probably be ignored since most scenes were loud and bright and glamorous. Bigger and louder isn’t necessarily a bad quality but as the “The Dark Knight” has proven, a nice balance between quiet moments and adrenaline rush makes a superior and ultimately unforgettable superhero film–not just a superhero film but a movie that has the power to stand alone in its own right. Directed by the very funny Jon Favreau, it was apparent that “Iron Man 2” had actors that had fun in their roles so I had fun with it as well. I loved that Favreau put himself in his own movie for kicks. I think most professional critics are wrong about this one because they claimed it was inferior to the first. But I’m saying see it and pretend as if it’s not a sequel. I have no doubt that you will recognize a really good movie in it.