★★ / ★★★★
“Requiem” was based on the real-life story more commercially covered in “The Exorcism of Emily Rose.” Michaela (Sandra Hüller) had been plagued by chronic seizures ever since childhood but the picture instantly suggested there was something far worse happening to her. So when she was finally accepted to attend the university, her parents (Imogen Kogge, Burghart Klaußner), especially her mother, did not want her to leave home. In college, at first things were fine despite her occasional–and natural–loneliness quickly remedied by a nice boy (Nicholas Reinke) and a classmate from high school (Anna Blomeier). But as the year pressed on, she slowly lost control of her body to the point where she was unable to reach religious symbols or even pray. After I saw this movie, I did not like it because I expected a more obvious approach in telling a story about a possessed girl that lead up to an exorcism. In other words, I expected a horror film. However, when I separate my expectations from what the film had to offer, the more I thought about it, the more I enjoyed it because it tried to stray from the obvious. I loved the fact that her condition was not an obvious demonic possession. I can even argue that she wasn’t possessed at all. From her symptoms, I can argue that she had schizophrenia because of the paranoia and imaginary visions and sounds. Then I turned to her very sheltered environment–how she was raised and the sexual repression she endured over the years. But then the movie commented on how we could easily turn to science for an explanation of things that we couldn’t fully understand. It added one layer of complexity after another while remaining true to its naturalistic also documentary-like style. Her progression from a normal girl to someone who reached a mental break was subtle and frightening in its own way. However, I thought the film needed more work on delivering more consistent payoffs. The first half relied heavily on setting up the background with small rewards dispersed few and far between. It would have been more terrifying if the camera allowed us to see through Michaela’s eyes and seeing the things she saw or hearing the voices she heard. By having more scenes that actively blurred the line between the real and the supernatural, the project would have been more frightening. Written by Barnd Lange and directed by Hans-Christian Schmid, “Requiem” was an interesting psychological drama with a lot of promise. It did not completely work for me because the first half was somewhat difficult to sit through but once it started picking up in the second half, my eyes were transfixed on the screen.
The Unborn (2009)
★ / ★★★★
This horror movie was so bad, I didn’t know whether to laugh or get angry after the final scene. Odette Yustman suddenly starts having nightmares about a boy who obviously wants something from her. It starts off that way but eventually, the evil that was once in her dreams begins to manifest itself in reality, affecting her relationships with her best friend (Meagan Good), her boyfriend (Cam Giganget) and her own sanity. I am not exactly sure how much I should give away because it tried to be about a lot of things but ultimately became about nothing. One minute the lead character was running around (literally–her jogging scenes felt like forever and a day) moping about her mother and the next she was asking people to give her an exorcism. The so-called twists did not make sense to me at all. While it did try to make homage to horror greats such as “The Exorcist” and “Rosemary’s Baby,” it felt contrived and there were definitely some parts where I thought it was merely stealing ideas instead of using such ideas as a template and taking the story to the next level. I did enjoy some creepy images but the suspense was simply not there. When the obligatory “jumpy” scenes arrived, they felt uninspired because it was all sharp film cuts and loud soundtrack to me. When I watch a horror picture, I want my heart to pound like mad and anticipate what’s going to happen next. With “The Unborn,” written and directed by David S. Goyer, I felt like each scene was a punishment I didn’t deserve. I think one of the main problems is the script. The dialogue absolutely killed me. I actually lost count how many times the lead character said, “I know this is going to sound crazy but…” I don’t know if that’s worse or cheesy lines like “I don’t think you’re crazy, I just think you’re hormonal.” I mean, come on. Hasn’t Goyer seen the “Scream” franchise? If you ask me, I think he’s asking to have a bad movie with that kind of writing. Obviously, I’m saying to skip this one because I’ve seen it all before. If you’re interested in a modern exorcism picture, rent the superior “The Exorcism of Emily Rose” instead. That one truly gave me the creeps.
★★★ / ★★★★
I was surprised by the quality of this little horror film. Directed by Toby Wilkins, “Splinter” is a story about a couple going camping on their anniversary (Paulo Costanzo and Jill Wagner) and are ambushed by an escaped convict (Shea Whigham) and his girlfriend (Rachel Kerbs). Initially enemies, the two couples had to team up right away after running over a creature that feeds off human and animal blood. Not to mention that it can take over its host after it feeds off the host’s blood. I was horrified because of the way the body moved when the creature was controlling its victim’s bodies. It reminded me of the possessed girl in “The Exorcism of Emily Rose” and those rabid zombies in “28 Days Later” and “28 Weeks Later.” Even though this is a small film, it was surprising how much gore it has. It goes to show that a script with smarts and a creative director can go a long way. I was also impressed by the acting. Even though I liked the “good guys” right away because they were cute and funny together, I also found myself feeling for the “bad guys” because of their circumstance. Another thing I liked about this film was that it didn’t even bother to explain where the creature came from. Most creature-feature films fall for the trap of having to elucidate why and how a monster came into existence. I was glad that this one did not. If one is a fan of horror movies where the characters are trapped in one place (in this case, in a gas station), the characters are smart but not above being silly, and there’s a plethora of effective thrills, “Splinter” is definitely the one to see. I couldn’t help but shudder (and maybe even squeal a bit) during some of the most intense scenes.
★★★ / ★★★★
This movie genuinely scared me. It is comparable to “28 Days Later” and “28 Weeks Later” because of the zombie-like creatures that are fast and extremely menacing; “Cloverfield” comes to mind because the entire picture is seen through a hand-held camera. Despite the content of the film, without Jennifer Carpenter (“White Chicks,” “The Exorcism of Emily Rose,” “Dexter”), this movie probably would’ve failed. Providing a character that’s real, good-natured, and one of the boys (established during the amusing first fifteen minutes), we ultimately care about her when the creatures roam about the apartment complex. She really amazed me during the last few scenes because not only can she scream and look good doing it, I wanted to reach out into the screen and help her escape. Another stand-out is Jay Hernandez (“Hostel,” “Planet Terror,” “Lakeview Terrace”) as a firefighter who is both strong and approachable. I wish he and Carpenter had more scenes together because when they interact, the movie feels more alive. As for the scares, a lot of them are memorable: whether something is moving in the background, strange noises coming from a dark room, or bodies falling from above–all of it worked because the characters are trapped in one place. Danger is always around the corner and it doesn’t let go until the credits appeared. I thought the use of lighting is excellent. Most of the time, it makes me want to look closer because the “thing” that we’re supposed to be looking at is shrouded in darkness. Therein lies the trap because once you look closer, something pops out–your heart starts beating and your eyes try to look for an escape. This is one of the better horror films to come out recently and I’m glad to have seen it in the cinema with a friend and enthusiastic horror fans.