Being Julia (2004)
★★★ / ★★★★
Julia Lambert (played brilliantly by Annette Bening) was a great theater actress. She was so great, she could not stop acting even though she was not on strage. Most people around her saw her life as nothing but glamorous and fans craved to be around her either for the fame, money, or to advance their careers. This made her bitter and depressed; not even her husband (Jeremy Irons) was sensitive enough to realize that she was overworked and on the verge of breakdown. So when she met a significantly younger American admirer (Shaun Evans) who seemed to genuinely care for her, she decided to take a risk and allowed herself to fall in love with him. I thought the movie took its time to build the rage inside of Julia and it only really started to pay off toward its halfway point. Furthermore, the appearance of Julia’s dead mentor (Michael Gambon) was a big distraction for me, especially when the film did not establish their relationship prior. Although I have to say that the second half was very engaging because we eventually saw who the characters really were and their true intentions. Despite Julia’s sometimes tiresome histrionics, I came to understand why she was angry. Everyone believed that she was on the top of her game but at the end of the day she was the one looking at herself in the mirror and noticing her age show and health deteriorate. She did not know how to deal with the fear of becoming considered as past her prime and lacking a genuine support system did not help her increasingly desperate situation. The only true person in her life was her son (Tom Sturridge–quickly becoming one of my favorite actors) but he was always away. I was in love with the scene when he knocked on her mother’s door, found her crying, and made the decision to share something really personal with her–something that even I am not sure I can share with my parents no matter how close we are. The implications in that scene were rewarding because they were open to interpretation. That scene was special because the look and feel of that scene was a nice contrast to the scenes involving the lies and deceit of showbiz. The last few scenes impressed me because it truly encapsulated Julia’s perspective–the theater was when she felt home and and the real world was just an acting class. It was so bittersweet and I finally saw how strong she was even though she could turn on and off her tears at the drop of a hat. “Being Julia,” based on the novel “Theatre” by W. Somerset Maugham and directed by István Szabó, sometimes felt elegantly cold but it was eventually able to open up and show its warmth. It had strong performances especially by Bening and Sturridge and I wished that the two had more scenes that explored the crucial mother-son relationship.
Synecdoche, New York (2008)
★★ / ★★★★
This is the kind of movie that is frustrating to watch because its ambition got in the way of true emotional resonance. Philip Seymour Hoffman stars as Caden Cotard, a theater director who one day decides to make an epic life-size play about his whole life. He makes that decision because he wants to know how his life turns out the way it is, to understand why his relationship with the people he loves most simply did not work. There are four women in his life that have impacted him greatly: Samantha Morton, a box-office worker, Hope Davis, a shrink, Michelle Williams, a stage actress, and Catherine Keener, Caden’s wife. The first thirty minutes of this picture is very engaging: I felt how alienated Caden was because he doesn’t feel appreciated by his family and the people he works with. That frustration (and maybe even a bit of rage) begins to manifest physically and he starts to think more negatively about himself to the point where he ends up believing that he’s dying. The point where I started to get confused was when the movie decided to jump forward in time multiple times. I began to lose track of who Caden can still connect with, his motivations, and where he’s ultimately going to end up. On top of that initial confusion, Charlie Kaufman, the writer and director, kept adding elements of existentialism and sequences that might have or might not have happened. The movie got way into itself to the point where I couldn’t relate at all. I’ve read a plethora of critics’ reviews that this is a great film because of its ambition. To me, ambition can only get a movie so far. With ambition, a film must also be able to take its audiences to whether it decides to go no matter how ludicrous the destination. With this film, I felt left out of the loop and constantly wondered what was going on. Even though it’s not as accessible and relatable as I would’ve liked (especially for a movie that’s about life and death), I’m still giving this movie a mediocre rating because I did like some of the elements and issues it tried to tackle.
Sisterhood of the Traveling Pants 2, The (2008)
★★★ / ★★★★
This sequel is arguably just as good as the original mainly because of the exotic locations and earnest acting. Two and half out of the four storylines worked for me: Amber Tamblyn’s pregnancy scare and her fear of everyone leaving her someday, America Ferrera’s accidental acting gig and her fear of growing distant from her friends, and half of Alexis Bledel’s lost love (Michael Rady) in Greece. I usually love watching Blake Lively (and I did love her here) but the storyline involving archeology and her grandmother felt forced. Every time the film would focus on her so-called life challenges, the momentum of the picture slowed down tremendously. As for the part that didn’t work for me regarding Bledel, it mostly has something to do with her acting. This was also a problem in the first film but whenever she’s about to cry, it feels really forced to the point where it’s borderline laughable. I can read it in her eyes–her questioning about whether she’s exuding enough tears and emotion. Out of the four, acting-wise, I think she’s the most dispensable. However, there’s something about this movie’s energy that kept me interested. I believed that the four leads really were college students because of the way they talked to each other and the questions that they raised (and eventually answered) when no one was around. Even though I’m not the target age group, I could relate with some of the girls, especially Tamblyn’s serious and introspective persona (not to mention her love for movies), because I have gone through the fears of losing one’s high school friends when I moved on to college. Overall, I’m recommending “The Sisterhood of the Traveling Pants 2” because it has nice life lessons and the actresses are interesting to watch.