★ / ★★★★
Four friends developed psychic powers when they were kids after they rescued a boy with Down Syndrome, Duddits (Donnie Wahlberg), from bullies. They decided to camp in the snowy mountains but noticed an oddity. Animals seemed like they were running away from something and the military had quarantined the area. While Henry (Thomas Jane) and Pete (Timothy Olyphant) left to pick up some beer at a local convenience store, Beaver (Jason Lee) and Jonesy (Damian Lewis) invited a man inside their cabin, unaware that the man’s body encased an alien creature. Based on Stephen King’s novel, “Dreamcatcher” suffered due to a lack of flow. There were essentially three stories and their connections weren’t fully fleshed out. There was the aforementioned four friends dealing with nasty aliens in the woods, the flashback sequences when they were children and how they got their powers, and Col. Abraham Curtis’ (Morgan Freeman) desperation to solve the alien mystery, which he had been involved in for twenty five years, before he retired. The screenplay jumped one from one strand to another which often broke the tension. For example, when Jonesy and Beaver saw a trail of blood that came from the bedroom where the man slept, it was interrupted by a scene with the colonel delivering yet another speech about how driven he was to finish what he started. If the bloody trail scene had been allowed to finish without interruption, the horror would have been more effective. Adding a scene with a completely different tone allowed us to breathe and maybe even take a bathroom break. The CGI let the picture down immensely. I didn’t mind seeing the worm-like creatures (I have a weakness for creepy crawlers) but showing a full-bodied alien didn’t leave anything to our imagination. The aliens could take in any form because they had the ability to project what we wanted to see. One of the characters claimed that he had seen an alien in its natural form and it was horrific. The filmmakers should have stayed away from showing the extraterrestrials’ true form and let us wonder because I didn’t think they looked scary at all. CGI becomes outdated but the images we form in our minds do not. “Dreamcatcher,” directed by Lawrence Kasdan, failed to answer a number of critical questions. For instance, why did the four friends eventually stopped seeing Duddits? Their gifts seemed more like a burden in their lives so did they feel some sort of bitterness toward their childhood friend? The film lasted over two hours so leaving out answers was no excuse. Perhaps if there had been fewer scenes of military men and more scenes of the four friends’ struggle, I would have cared more.
I Am Number Four (2011)
★ / ★★★★
John Smith (Alex Pettyfer) was an alien passing as a normal teenager. John and Henri (Timothy Olyphant), his guardian, led a nomadic lifestyle because the Mogadorians, an alien race that destroyed their planet, were on the hunt for the nine chosen ones. John happened to be number four on their list. John and Henri moved for Paradise, Ohio and it seemed like any other town in the middle of nowhere. But when John met Sarah (Dianna Agron), he found a reason to stay. “I Am Number Four,” directed by D.J. Caruso, could have been an interesting if the filmmakers had paid more attention to the characters instead of the CGI. When the best part of the film consisted of a battle between two giant CGI monsters, that is usually not a good sign. Casting was partly to blame. Pettyfer lacked enough dimension and angst for us to want to get to know him. The deadpan delivery of his lines worked against him because the script was already so thin. He was charismatic when he smiled but that was about it. There were some shots where I thought his pose could’ve made a great American Eagle summer ad, especially in the beginning when he was at beach, but I wasn’t interested in John’s story. I found myself more interested in the stronger actors like Sam, John’s friend who was bullied at school because he was interested in aliens, played with wit by Callan McAuliffe. Since he was pushed around like a nobody yet never seemed to fight back, most of us could easily relate to him. We wanted him to throw a punch or try to pull off a mean prank against his tormentors. He said cheeky things like his life being one big episode of “The X-Files.” But as the picture went on, Sam wasn’t given very much to do, perhaps because he didn’t have any superpowers. Instead, he ended up babysitting John’s dog. The picture had serious issues in terms of its pacing. It took too long to get into the meat of the story. I found it too preoccupied with delivering clichéd images like someone, in slow motion, strutting away from a massive explosion. Questions such as why the Mogadorians wanted to kill the nine, the importance of the rocks Sam’s father collected, and why Number 6 (Teresa Palmer) was intent on finding Number Four were awkwardly tacked on during the last forty minutes. Lastly, the villains were completely forgettable. All of them looked alike–bald and with teeth in desperate need of braces. If one stood out as a character foil against John, it would have been far more interesting. Based on the novel by Pittacus Lore, “I Am Number Four” was too much computer and not enough imagination. It felt like a very rough sketch of a television pre-teen flick on the CW.
Scream 2 (1997)
★★★★ / ★★★★
Two years had passed since the Woodsboro murders. Sidney Prescott (Neve Campbell) was now in college majoring in drama, Gale Weathers (Courteney Cox) became a best-selling author, and a movie known as “Stab,” inspired by the aforementioned killing spree, had just been released. But when a couple (Jada Pinkett Smith, Omar Epps) was murdered during one of its screenings, Dewey (David Arquette) quickly, despite the limp, ran to Sidney’s protection and movie geek Randy (Jamie Kennedy) was present to explain the rules of horror sequels. Written by Kevin Williamson and directed by Wes Craven, “Scream 2” was able to defy the odds by pointing its fingers on bad scary movie follow-ups without being one itself. The film worked on multiple levels because it had more than one joke that worked. For instance, it acknowledged the idea that horror pictures seemed to be lacking in African-American characters and other minorities. Aside from the doomed couple in the memorable first scene, we knew the joke made a lasting impression when a minority was randomly placed next to one of the main characters and we couldn’t help but chuckle. However, it didn’t feel forced because the story took place in college. While the murder scenes were less creative–but more gory and elaborate as Randy stated–than its predecessor, they retained a level of cheekiness, especially when Sarah Michelle Gellar was given the chance to shine as the “sober sorority sister,” so it was fun to watch. We knew that her decision to go upstairs, as we learned in the first film, was a very bad idea but she did anyway. Downstairs, it seemed like she knew how to defend herself so maybe, despite being blonde and pretty, she would be lucky enough to escape. But it wasn’t just about murders on campus. Cotton Weary (Liev Schreiber), the man Sidney wrongly accused of killing her mother, had just been released from prison. The fact that he had motive to take bloody revenge and his thirst for fame warranted serious suspicion. It was a reminder that we couldn’t always trust Sidney’s judgment which was a small twist from typical slasher flicks where we take comfort in the virgin making all the right decisions to make it to the very end. The film spent more time on the characters and worked on the undeveloped strands from the first installment. What remained the same was everyone was a suspect. From Sidney’s pre-med boyfriend (Jerry O’Connell) and sassy friend (Elise Neal), Randy’s movie-loving classmates (Timothy Olyphant), to the reporter (Laurie Metcalf) desperate for the latest scoop. “Scream 2” was a vat of self-awareness; I relished every witty line and irony within an irony. Most impressive was sometimes the joke and horror came hand-in-hand.
The Crazies (2010)
★★★ / ★★★★
A remake of George A. Romero’s 1973 original of the same name, “The Crazies” was about a man (Timothy Olyphant) and his wife’s (Radha Mitchell) struggle for survival when a strange chemical started affecting their friends and neighbors. At first, the infected would have a fever but after two days, they would exhibit strange behaviors which ranged from catatonia to full-on violence like killing their families or random strangers. I was surprised with how good this movie was because most of the reviews I read expressed disappointment. I really liked that this film, directed by Breck Eisner, knew how to build suspense and had a pay-off every ten to fifteen minutes so I was engaged with what would happen next. I loved the way it used tight spaces to its advantage, such as the horrifyingly terrific scenes in the morgue and the car wash. When at its best, it reminded me of the relentless scenes in “28 Days Later” and “28 Weeks Later.” Unfortunately, the film had its drawbacks thirty minutes into it when the military started taking over the small town. Prior to that, I thought the movie was fantastic because it felt personal. The main characters had no idea what was going on and slowly but surely, the safe life they were so used to living was broken by very strange and creepy happenings which started during a baseball game. With the military in the picture, it became cold and impersonal. Having said that, since this was a remake, I knew that it still had to remain loyal to its original source. However, I felt as though the movie could have minimized the military scenes, which they did during the last twenty or so minutes. But maybe this version minimized the politics as much as they could. I’m not sure because I haven’t seen the original. The movie was at its best when the lead characters who were easy to root for were placed in paranoid situations in which they either had to hide from an infected or think that a friend had the virus and it was only a matter of time until they wouldn’t be on the same side anymore. “The Crazies” was fun to watch because when it’s serious, it gets pretty scary, but it had unintentionally funny lines. It reminded me of a hybrid among the zombie pictures mentioned earlier, “The Happening” and the highly underrated “The Texas Chainsaw Massacre” back in 2003. It could have used a little more brain and character development but those elements were the furthest things in my mind when the characters were being attacked from left and right in the most gruesome ways possible.
A Perfect Getaway (2009)
★★ / ★★★★
“A Perfect Getaway” tells the story of three couples in Hawaii–Steve Zahn and Milla Jovovich; Timothy Olyphant and Kiele Sanchez; Chris Hemsworth and Marley Shelton–and two of them happen to be killers. It’s the audiences’ jobs to guess who the real killers are but it’s actually less than fun it sounds because the journey to get to the revelation is pretty generic. Three-quarters of the film was funny because of all the misfortunes and suspicions of Zahn and Jovovich. While the two did not exactly have chemistry, they were interesting enough as stand-alone characters for comic relief and some sensitive moments. I just wished that the movie had more thrills than comedy because half-way through it, I constantly wondered where it was going (or even if it was going anywhere). David Twohy, the writer and director, did not shape the picture’s tone to a level that rises above tried-and-true formulas of false alarms and supposed twist endings. Speaking of the twist, I’ve read on some message boards that the picture did not quite cheat. I cannot disagree more. There were some unexplained (and ultimately unjustified) scenes that did not at all make sense when one takes the time to look back on what was happening as a whole. I believe that the movie was designed primarily to trick the audiences and the glaring inconsistencies were just too unforgivable for me to believe that it could happen in real life. After the revelation, although I did expect it in some way, it really took me out of the experience and the suspense involving the mystery immediately dissipated into thin air instead of giving me the chills like a really good suspense/thriller movie does. Still, I did enjoy the chase sequences while they lasted. In a nutshell, “A Perfect Getaway” was a highly uneven film but there were some good laughs and exciting chase sequences (when they finally happened). It’s a good DVD rental but definitely not worth seeing in theaters.