Two Bits (1995)
★★ / ★★★★
Twelve-year-old Gennaro Spirito (Jerry Barone) was desperate to get into La Paloma, the newly-opened movie theatre in town, but he didn’t have twenty-five cents to pay for the admission ticket. Everybody seemed to not have any change to spare because of the difficult times. Even his mother (Mary Elizabeth Mastrantonio) saved every bit of money they had for food in order to care for Gennaro’s ailing grandfather (Al Pacino). Inspired by young street performers, our little protagonist decided to earn the money himself by taking odd and sometimes dangerous jobs to finally get inside the newfangled cinema. Main critiques about the film was directed toward a selfish main character who only cared about raising enough money as everyone else worried about bigger things in life such as hunger and deteriorating health. I felt differently because Gennaro was just a kid. Even though he was on the cusp of being a teenager, his brain was still like that of a child’s. He fixated on one idea and couldn’t let go until he was able to grasp it. In some ways, I found his adamant nature amusing because I was able to relate to him on some level. For example, when I really want to see a certain movie, I just can’t help but think about it. No matter what I do, I find it difficult to get rid of the fantasy of finally sitting down and seeing something I’ve so been yearning for. Obviously, there’s more to life than watching motion pictures, but Gennaro’s perseverance to see a film in the movie theater was more than the obvious. Whether he was consciously aware of it or not, I believed that he wanted to be a part of something bigger than himself, perhaps to share a rewarding collective experience in a dark room with strangers. Another interpretation was maybe he needed a temporary escape from his grandfather’s illness and the streets that served as his playground which was filled with people dealing with the Depression. Just because Gennaro was adamant about going to the movies, not once did I think that he didn’t love or care for his mother and grandfather. However, I did wish that the relationship between Barone and Pacino’s characters was explored in a deeper way. The adult Gennaro (narrated by Alec Baldwin) claimed that he and his grandfather had a special relationship. In the end, it still wasn’t clear to me what made their relationship so special. There were moments of genuine connection between them, like when the grandfather asked his grandson for a really big favor which might have been a bit too much to ask of our protagonist, but I didn’t feel the special element that the adult Gennaro, through a retelling of his memorable day, wanted us to experience. Written by Joseph Stefano and directed by James Foley, “Two Bits” contained some thoughtful scenes but it just felt short in achieving the magic that Giuseppe Tornatore’s “Cinema Paradiso” and Victor Erice’s “El espíritu de la colmena” seemed to effortlessly possess.