★★★★ / ★★★★
Paddy Conlon (Nick Nolte), a recovering alcoholic nearing his one thousandth day of being sober, found his younger son, Tommy (Tom Hardy), sitting on his porch. They hadn’t seen each other in fourteen years. But the reunion couldn’t be colder. Tommy, an ex-Marine, despised his father and claimed that the only reason why he showed up was because he needed a trainer for Sparta, a middleweight championship for mixed martial arts, where the winner would receive five million dollars. Meanwhile, Brendan (Joel Edgerton), Paddy’s eldest son, felt extreme financial pressure. As a physics teacher, he and his wife (Jennifer Morrison) didn’t make enough to pay for their mortgage. They were given a couple of weeks until their house was to be taken by the bank. So, Brendan joined the tournament, completely unaware that his younger brother, who he also hadn’t seen in more than a decade, was participating. Directed by Gavin O’Connor, “Warrior” was equally spellbinding when the characters were inside and outside of the ring. The brothers hated their father for the way he treated them and their mother when they were still growing up. The writers made a smart decision in showing us Paddy as a man on the way to recovery but never as an abusive parent. It became easier to sympathize with him. It was unnecessary to show us the latter because the psychological and emotional damages were painfully apparent in the adult Tommy and Brendan. Tommy became a pill-popping, reticent, angry figure while Brendan strived to be everything his father was not to his own wife and children. Interestingly, they shared only one scene before the tournament. It was beautifully executed and completely heartbreaking. As one inched closer to one another, their animosity and frustration became palpable and suffocating which served as a great contrast against the open space that surrounded them. I was at the edge of my seat because I almost expected them to resolve their problems by throwing punches long time coming, outside of the competition with no referee to force them to stop. However, the most powerful scene was between Tommy and Paddy. While sitting in front of a slot machine, Paddy approached his son to express that he was proud of him. Tommy responded bitterly, comparing his father to a beggar who was desperate for his sons’ affections, blind to the fact that the only thing his two sons had in common was they no longer needed him, and his decision to become a good father was years too late. The camera was nicely placed very closely in front the actors’ faces as to savor every negative emotion. In addition, it was easy to see how much their characters restrained certain words, especially the father, out of fear in regretting it later. It was like watching someone attempting to tiptoe around broken glass accompanied by a force that propelled him forward in rate he wasn’t comfortable with. “Warrior,” based on the screenplay by Gavin O’Connor, Anthony Tambakis, and Cliff Dorfman, went beyond the pain experienced in body slams, direct punches to the face, and heavy kicks to the stomach. We rooted for both Brendan and Tommy because we understood what winning meant for them personally–something worth more than half a million dollars.