The Beat That My Heart Skipped (2005)
★★★ / ★★★★
Writer and director Jacques Audiard posed a classic nature versus nurture question about a man in his late twenties (Romain Duris) who wanted to remove himself from a life of crime and to recapture his talent in playing the piano. His time was torn on two fronts: his father (Niels Arestrup) who made dishonest real-estate deals and his piano lessons with a recent immigrant (Linh Dan Pham) who taught him discipline and how to relax. This film had an exceptional use of tone. The push-and-pull forces that the character experienced were often reflected by the music that we heard (electro versus classical) and the images we saw (indoors versus outdoors, night versus day, order versus chaos). Since the film spent equal time between each forces, I understood the character’s anger because nobody believed in him. When he would tell someone of his extracurricular activities, the person would imply that he was too old and he was no longer a talented pianist that he once was. Naturally, his anger was fueled and so did his need to prove that he was good enough. I immediately related with the things he went through so I knew that his biggest enemy was ultimately himself. Since he never received approval from his distant father who only contacted him for favors, he tried to look for approval from other people which involved him sleeping with other women (Mélanie Laurent, Aure Atika) and moving on just as quickly. The reviews I encountered made a point about the movie not really going anywhere and the ideas were much larger than the final product. I disagree because Tom’s journey wasn’t about but life-changing revelations provided by those who surrounded him. Although he tried to look for answers by looking at others, the ultimate lesson was looking inwards and realizing that he had to love himself whether he still had the talent or otherwise. I thought the film was thoughtful about its arguments without spoon-feeding its audiences critical information and had a quiet power that moved me the more I thought about it afterwards. “De battre mon coeur s’est arrêté” or “The Beat That My Heart Skipped” could have easily been an obvious story of a man wanting redemption. Instead, it chose the more intelligent and sensitive path by allowing us to feel for, although not necessarily pity, the tortured protagonist. The film was also successful at asking us about our own lost potential.
180° South (2010)
★★★ / ★★★★
In “180° South,” directed by Chris Malloy, Jeff Johnson and his friends were inspired by adventurers Doug Tompkins and Yvon Chouinard’s journey into Patagonia back in 1968 so Johnson and company decided to do the same thing. Spending months at a time on a constantly rocking boat on top of some technical difficulties with their mode of transport made their journey anything but smooth. I loved that the documentary started off with why it was important for Johnson to go to Patagonia and climb to the peak of the tallest mountain there. Prior to watching the movie, I thought why not just take a plane to the island and start climbing the mountain? Must they really have to go through months of traveling by sea and risk being stranded? But after Johnson expressed his reasons why he wanted to go through certain steps, even though I didn’t necessarily fully agree with him, I understood where he was coming from. And in a way, just hearing and seeing his excitement for his journey and the passion in his voice made me feel excited as well. I liked the narration as much as I hated the use of soundtrack. The narration made it personal and Johnson offered a lot of insight about how his admiration for nature has shaped the way he’s living his life. However, the use of music just annoyed me. I understood that it was supposed to be soothing and it was supposed to match the tone of the movie but it took away the necessary silences that could give us a chance to think more about what the narrator just expressed. I couldn’t help but think how nice it would have been if the music was taken out altogether and let us just hear the waves crashing on the shore or the tiny pebbles sliding down the incline as Johnson and the others climbed a mountain. It would have been that much more exciting because it would feel more like we were really there. With the addition of songs, the movie felt polished instead of natural. There were also some mention of environmental threats in the film and how factories impact nature and people who rely on fishing for a living. That portion of the movie was a hit-or-miss for me. On one hand, I thought it was a positive thing to acknowledge environmental disasters due to people’s disregard for things outside of their spheres. I also thought it was a good thing to have the environmental angle because it shows that Johnson was not just some adrenaline-seeking junkie. But at the same time, I thought the environmental angle took away some of the focus and momentum from the actual journey toward Patagonia. Still, “180° South” is a worthwhile experience because I got to learn more about people who do things that I could never imagine myself doing in my lifetime.