Tag: war hero

The Messenger


The Messenger (2009)
★★★★ / ★★★★

Staff Sergeant Will Montgomery (Ben Foster), a newly recognized war hero, was assigned to the Casualty Notification division with Captain Tony Stone (Woody Harrelson), a man who adhered without fail to the rules of telling the next of kin that their loved one had died or went missing in the war. Directed by Oren Moverman, “The Messenger” had proven that movies about the Iraq war can still be relevant and moving without having to be condescending or syrupy. I’m used to watching Foster and Harrelson playing characters who are volatile and larger-than-life so it was nice to see them playing characters who are masters when it came to internalization. Even though they didn’t always vocalize the things that bothered them about the war or the way they saw the civilian world after serving overseas, I felt their pain and anger. In small ways, they managed to tell their stories without sacrificing complexity. With each visitation of the next of kin, I loved that the family members had different responses so Will and Tony had to constantly adapt, sometimes finding themselves out of their depths. Prior to the film, I thought that the scenes that would impact me most emotionally were the ones when the family members (Steve Buscemi, Yaya DaCosta) would break down externally via screaming, yelling or being violent to themselves and others. Surprisingly, the ones that really got to me were the characters (Samantha Morton) who were obviously sad about the news yet they were almost gracious that Will and Tony found courage from within themselves to deliver the difficult news. The anticipation of family member members’ reactions were without a doubt even more compelling than films about the Iraq war plaqued with gratuitous explosions and typical dialogues. Lastly, the heart of “The Messenger” was the bond between Tony and Will. They seemed to not get along at first but it was always apparent that they respected each other. But after being around each other, the two slowly opened up which led up to the key scene when Will explained why he didn’t consider himself a hero. That scene would most likely have failed with a less intelligent script but I liked the way Moverman used silence and let his audiences absorb every word, pause, and sigh that Will expressed while telling his very personal story. There was also another brilliant scene applied with the same technique when Morton’s character talked about opening her closet one day and her husband’s shirt fell on the floor. “The Messenger” was engaging every step of the way because it went beyond being a traditional war movie. I didn’t feel emotionally cheated because it respected us, its characters, and our troops. It knew that it didn’t need to be political; it just needed to be honest.

Nothing Like the Holidays


Nothing Like the Holidays (2008)
★ / ★★★★

A Puerto Rican family gathers during the holidays and a lot of their secrets come pouring out at the dinner table. If this movie didn’t remind me of “The Family Stone” a little too much, I would’ve liked it a little more because I constantly found myself comparing the two. While “The Family Stone” had real dramatic weight to it, “Nothing Like the Holidays,” directed by Alfredo de Villa, only injected the drama just so that it would feel sad on the surface. Alfred Molina and Elizabeth Peña were having marriage problems, Freddy Rodríguez just arrived from Iraq and everyone thought we was some big war hero, John Leguizamo wanted to have kids with his wife (Debra Messing) but she considered her career as more important, and Roxanna Rodriguez was viewed by her family as a big Hollywood actress but she couldn’t bring herself to say that she was quite the opposite. I quickly grew tired of the big arguments and everyone being loud. At least when I’m with my family, although it may be loud and everything seems to be happening at the same time, things are interesting and we feel united. In this picture, we don’t get that certain feeling of warmth because their liking for each other doesn’t seem all that genuine. It’s as if the actors didn’t connect with one another or their characters; they’re just different people placed in a room and are forced to interact with each other. It was painful and awkward for me to watch. When the characters don’t have anything to say, the movie features a whole lot of dancing scenes as filler. I found myself constantly looking at the clock and asking myself when it was going to be over. The side journeys that each character took didn’t resonate so I felt like the lessons they learned were very contrived. “Nothing Like the Holidays” is definitely nothing like the holidays (my holidays anyway) because it lacked one of the most basic things: being fun. It suffered greatly because it was too formulaic. It actually didn’t need the sappy drama because the key lies in the human interactions and comedy that comes with the attractions and repulsions of each varying (sometimes histrionic) personalities.