Tag: whiplash

Whiplash


Whiplash (2014)
★★★★ / ★★★★

Some movies leave you quiet when it ends because something deep inside you knows that you had seen something great. “Whiplash,” written and directed by Damien Chazelle, is that kind of film. Its weapon: jazz music and inimitable performances by Miles Teller, who plays a first-year student at a music school known for being the best in the country, and J.K. Simmons, an instructor who recruits the freshman to be in his orchestra. Andrew and Fletcher, respectively, share a relationship to be remembered.

It is to be remembered because all of us are likely to have had a teacher who was tough, punctilious, a perfectionist. The material works as an exaggeration of such an idea. Imagine a glass of water with plastic tightly wrapped around its rim. With each passing scene, weight, never constant, is placed on top of that flimsy covering. There is genuine tension because we never know when the plastic can no longer support the pressure.

The verbal and psychological abuse that Andrew goes through is fascinating to watch unfold. I think it is meant to make us wonder how far we are willing to go, how much we are willing to sacrifice to become and to be considered great at what we do. But it is not just about willingness. Sometimes it is about having a tough skin. If one does not have it, better get one real quick because it is either sink or swim out there. Andrew’s goal is to become a great musician, to be remembered long after he is gone. He must seize and fight for what he wants, what he believes he is destined for.

There is a partnership between jazz music and the editing. A synergy is reached between them and what results is a series of images, many of them close-ups of the instruments and the highly physical act of drumming, coming across as music. There is a natural flow between the cuts, versatile in terms of whether the tempo is high or low, whether the energy is vibrant or soft. I am not a jazz aficionado but I felt like I knew more about the genre by the end or at least can appreciate it a little more because the picture actively welcomes the audience into the genre rather than remaining insular, too good for the common masses to be understood or appreciated.

Humorous and dramatic moments have a natural ebb and flow, too. This is where Simmons’ character is key and must be played exactly right. The performer embodies the character with unpredictable verve. In one scene, he is throwing verbal daggers left and right. In another, a more quiet menace is communicated. Notice his posture change in subtle ways when he is unimpressed. Pauses between the lines carry additional weight. What is he thinking when a musician is playing? How is he going to respond by the end of the piece? Will he even allow the piece to be played in its entirety? Not once did I feel like I knew him as a person, more like a figure to be respected, feared, or both.

“Whiplash” is a movie that should be remembered decades from now but I am somewhat doubtful whether it will be. It does not command a typical arc, expected character development, and feel-good messages about ambition and “reaching for one’s dreams.” But the lack of such qualities is exactly what I loved about it. We need and deserve more films of this caliber.

Iron Man 2


Iron Man 2 (2010)
★★★ / ★★★★

Robert Downey Jr. reprises his role as Tony Stark/Iron Man who is as narcissistic and self-centered as ever. This time around, he had to face-off with a Russian physicist (Mickey Rourke) who was out for revenge for the wrongs done to his father and an American weapons expert (Sam Rockwell) who craved power in politics. Tony also has to deal with his health, Pepper (Gwyneth Paltrow) being the new CEO of the company, a new sexy assistant (Scarlett Johansson), and Rhodey’s (Don Cheadle) need to deliver the Iron Man suit to his superiors. There was no doubt that “Iron Man 2” was bigger and grander than the original. However, I don’t believe it was one of those sequels that disappointed. What I loved about the first one was the fact that it was an origins story. The first hour bathed us in curiosity and the rest tried to explore the lead character’s depth (although we came to realize he didn’t have much depth at all–which I loved). In “Iron Man 2,” it was more about having fun with the main character and his big ego. I thought it was funny, exciting and I liked that it didn’t try to be darker or deeper than the original. In some ways, I had more fun with the sequel than its predecessor. I was also very into what was happening on screen because of the many hints of The Avengers slowly forming (make sure to stay until after the credits). The tone was different than other superhero films because it made me feel like the superhero that we were watching was not the only one in his universe. I also enjoyed Rourke as Whiplash. He wasn’t given much screen time but every time he was, he generated maximum impact. I thought he was menacing but at the same time I felt somewhat sorry for him. When I looked in his eyes, I saw pain and vulnerability trying to wrestle (pun intended) with anger and thirst for blood. One of this film’s drawbacks was it didn’t spend more time putting Rourke’s character on screen to add some sort of enigma and rivalry between him and Tony Stark. I absolutely loved the race track scene and when Stark visited Whiplash in jail. There was a certain crackle and pop between the two characters when they spoke to each other because Downey Jr. and Rourke knew how to play with certain subtleties in terms of intonations and body languages. Those scenes left me at awe and it’s unfortunate because small moments like the jail scene would probably be ignored since most scenes were loud and bright and glamorous. Bigger and louder isn’t necessarily a bad quality but as the “The Dark Knight” has proven, a nice balance between quiet moments and adrenaline rush makes a superior and ultimately unforgettable superhero film–not just a superhero film but a movie that has the power to stand alone in its own right. Directed by the very funny Jon Favreau, it was apparent that “Iron Man 2” had actors that had fun in their roles so I had fun with it as well. I loved that Favreau put himself in his own movie for kicks. I think most professional critics are wrong about this one because they claimed it was inferior to the first. But I’m saying see it and pretend as if it’s not a sequel. I have no doubt that you will recognize a really good movie in it.