Tag: wine

Bottle Shock


Bottle Shock (2008)
★★ / ★★★★

I decided to watch this movie because I was interested to learn more about one of the landmarks of the wine industry (even though I don’t know much about wine). That is, the creation of the perfect Chateau Montelena chardonnay. Alan Rickman stars as Steven Spurrier, the owner of Academie du Vin, who traveled to the United States in order to collect wine for the Judgment of Paris wine competition. One of the places he visited was Chateau Montelena which was owned by Jim Barrett (Bill Pullman), a man who was buried in loans and frustration with the fact that his son (Chris Pine) failed to show interest or enthusiasm when it came to the family business. The weaker and less interesting part of the film was the romance triangle among a Hispanic worker (Freddy Rodriguez) in Chateau Montelena, a new intern (Rachael Taylor), and Jim’s aimless son. Another negative was that even though the story was supposed to be set in 1976, it didn’t feel like it was because of both the actors and the script. That sense of authenticity was important to me because I really wanted to be sucked into the time period. I also felt as though the picture played everything a bit too safe. With each scene everything just felt nice and breezy instead of revolutionary, which is a problem because the core of the movie was how the events in the vineyard impacted the wine industry. Randall Miller, the director, should have taken more risks instead of resting on the romance between the three younger characters. In fact, I think the movie would’ve been better off if about thirty minutes were cut off because it would have been more focused and the pace wouldn’t have felt as slow. Still, I don’t consider “Bottle Shock” a bad movie because there were moments of true wonder for the audiences, especially when the wine suddenly changed from clear to brown. I had no idea whether that was a positive or a negative thing prior so I certainly learned something from the film. And the exciting competition scene was quite amusing because the French judges tried so hard to discern which wines were from France and which ones were from the United States. The looks on their faces after the competition was priceless.

Race You to the Bottom


Race You to the Bottom
★★ / ★★★★

This indie drama reminded me of a weaker version of “2 Days in Paris” because right from the get-go, I had this feeling that something was going to go wrong. It’s about the breakdown of a bisexual man (Cole Williams) and a heterosexual woman’s (Amber Benson) romantic relationship as they travel through California’s wine country. Both of them have boyfriends who they willingly cheat on and that alone did not make me want to embrace these characters. Still, I wanted to give the film a chance and I’m glad I did because there were moments when I actually thought that the interactions between Williams and Benson were genuine. The fluidy of sexuality is definitely at the forefront and it was tackled in a legitimate manner. But I thought some of the gay stereotypes are jarring: Williams is a self-loathing pseudointellectual who likes to sleep around and seduce other men. I did not like his character at all because all ever thinks about is himself; he doesn’t have a filter especially when certain conversations move toward a more sensitive territory. However, I did like Benson (as usual) because even though she’s sarcastic and (at times) drowning in her own delusion, she’s sensitive and not afraid to be vulnerable. This is one of those pictures that could’ve benefited from a longer running time. In this case, seventy-five minutes is not enough to paint complex characters that the audiences can ultimately invest in. I would also like to note that it was nice to see Justin Hartley and Philipp Karner here as Williams’ target of seduction. For the longest time, I kept being distracted from the story because I knew I’ve seen them in other films before but I didn’t know exactly where from. There were some nice ideas here that could’ve used some more development in both writing and execution. Otherwise, it’s not too shabby.