Tag: workplace comedy

Horrible Bosses


Horrible Bosses (2011)
★★★ / ★★★★

Nick (Jason Bateman), Dale (Charlie Day), and Kurt (Jason Sudeikis) were unhappy with their jobs. Nick expected to be promoted by his boss, Dave (Kevin Spacey), because he had sacrificed eight years doing grunt work. Dave ended up promoting himself. Dale, a dental hygienist, was happily engaged but his boss, Dr. Harris (Jennifer Aniston), wanted him to have an affair with her. If Dale wouldn’t accept her aggressive sexual advances, she claimed she would tell his girlfriend that they slept together and she had evidence that they did. Meanwhile, Kurt, who worked in a chemical factory, had to deal with his extremely childish new boss, Bobby (Colin Ferrell), who didn’t care if his decisions endangered people’s lives. “Horrible Bosses,” directed by Seth Gordon, was, for the most part, a disarmingly effective workplace comedy. It started with crackle and pop: within the first ten minutes, we came to understand why the three friends felt the need to hire a hitman (Jamie Foxx) to kill their bosses. Although the comedic situations were wrapped in relatively improbable situations, we rooted for the trio because, in essence, none of them felt respected. We’ve all felt inadequate because someone had told us, implicitly or explicitly, that we weren’t good enough. That frustration builds anger and we could see the anger in Nick, Dale, and Kurt in varying degrees. The bosses had personalities and some were given a chance to shine. Dave was truly nasty because he was the kind of boss who got his way by purposely being blind to the difference between motivation and manipulation. Spacey was perfect for the role because he exhibited charm and sliminess with ease. Meanwhile, Dr. Harris was the definition of a nymphomaniac. She couldn’t function without mixing business with pleasure. Aniston played her character with glee. Her character was an exaggeration. There were times when it worked, especially since Dale was such a colorful guy. However, I wished Dr. Harris had more quiet moments aimed to remind us that she wasn’t just a cartoon character. Lastly, Bobby was my worst nightmare because he just didn’t care about his job. All he cared about was the money he undeservingly received at the end of the day. Farrell is a dynamic actor but his character wasn’t given enough screen time. We only knew three things about him: he was addicted to cocaine, supposedly held a green belt in martial arts, and there was a hint that he felt like an inadequate son. Otherwise, he just looked like a walking bad joke (perhaps because he was balding). Despite the many hilarious one-liners that “Horrible Bosses” effortlessly delivered, it fell short from being great because Dr. Harris and Bobby were more like punchlines rather than real people. Still, “Horrible Bosses” deserves a recommendation because the director took risks in terms of the picture’s pace and tone. It managed to acquire an offbeat rhythm–a key element that less effective workplace comedies could only wish to possess.

Cedar Rapids


Cedar Rapids (2011)
★★★ / ★★★★

Tim Lippe (Ed Helms) was an honest insurance salesman. He was comfortable living in a small town and changing people’s lives for the better. He was described as the guy who could have gone places but actually didn’t go anywhere. When one of his colleagues passed away due to autoerotic asphyxiation, he was asked by his boss (Stephen Root) to attend an insurance convention in Cedar Rapids, Iowa and win an award for their region. Tim was warned not to interact with Dean Ziegler (John C. Reilly) but, as luck would have it, they ended up sharing a hotel room. Written by Phil Johnston and directed by Miguel Arteta, “Cedar Rapids” was surprisingly human. I expected the film to rely solely on awkward situations and slapstick comedy to generate most of its laughs. Helms had a knack for the former, while Reilly built his career on the latter. The two actors fed off one another. When the camera was transfixed on them, my body automatically prepared itself to laugh because my brain knew that Helms and Reilly understood both the value of a punchline and, more importantly, precision of delivery. But the movie wasn’t just about the laughs. It was also about Tim venturing out into the world and realizing how fun, dangerous, and rewarding it could be to make friends who were entirely different from himself. There was one very amusing scene when Tim was shocked to find an African-American man, Ronald (Isiah Whitlock Jr.), in his room. Furthermore, I was particularly interested in Tim’s relationship with Joan (Anne Heche), a married woman with kids. She saw the convention as a means of escape from the routine and, although much of it was unsaid, I believed she saw something in Tim that she craved, perhaps a quality that her husband lacked, but could never have because she already had a life. The way Heche delivered certain looks inspired me to dig beyond what her character was willing to outwardly share. There was a certain sadness between the two scavenger hunt partners and the film’s final moments worked because I believed their relationship, not necessarily romantic, would continue. Back home, Tim was involved with his former grade school teacher (Sigourney Weaver). The writing could easily have been lazy, relying on jokes that involved the word “cougar,” but I loved that the material didn’t look down on Tim and Macy’s relationship. Sure, she was over fifteen years older than him but a handful of scenes suggested that they shared something meaningful. “Cedar Rapids” took ordinary people and allowed them to work, play, and form friendships in an honest, emotionally resonant manner. More mainstream comedies can only aspire to be as such.